External transitions move readers from section to section
Talk about a transition. Here’s how author Erik Larson ends one chapter of Devil in the White City: Murder, Magic, and Madness at the Fair That Changed America:
Writing workshops, communication consulting and writing services
Talk about a transition. Here’s how author Erik Larson ends one chapter of Devil in the White City: Murder, Magic, and Madness at the Fair That Changed America:
Transitions can be hard to write. Maybe that’s why we keep turning back to these hackneyed transitions, listed in a Poynter Institute forum:
Let’s pause and ponder that for a minute too.… Read the full article
The background might be an important component of your story. After all, the readers might need some of the following elements to fully understand your story:
But readers don’t need this material first.… Read the full article
My favorite scene in the movie “High Fidelity” is when Rob Gordon (John Cusack) becomes so depressed over his failed love life that he seeks solace in reorganizing his albums.… Read the full article
If I came to your house and told you to grab your things and follow me, how far would you go?… Read the full article
Here’s how Korbel Champagne Cellars topped a PRSA Silver Anvil Award-winning pitch:
New York’s Grey Lady isn’t so gray any more. Topping one-third of its stories with feature leads, The New York Times covers the world in living color.… Read the full article
Think of the kicker as the fireworks display at the end of the Fourth of July picnic. It’s the reader’s reward for making it to the end of the piece.… Read the full article
It’s easy to end an inverted-pyramid story: Stop typing.
Sadly, coming to an abrupt halt doesn’t work for feature-style stories.… Read the full article
If I came to your house and told you to grab your things and follow me, how far would you go?… Read the full article
____
Learn to get the word out with our proven-in-the-lab techniques in our email newsletter.